Barber in the Chapel |
The concert appears to have programmed alphabetically, following Barber with Bartok, which was an interesting choice given their playing of Webern just a few nights earlier (and reviewed here). To me, Bartok's challenges to tonality are far more interesting than the mathematical approach taken by Webern, and it was a pleasure to hear the String Quartet #5 played so well. There were even a few welcome moments of musical humor in the piece, including the ending. It was a smart compositional move, to reward the audience with a light-hearted moment after a piece that can be challenging to the audience.
It was a nice way to remember Pat.
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