dB's Blog: SKYFALL

Friday, February 22, 2013

SKYFALL

I have been so overwhelmed with watching movies for the past few weeks that I have not had time to review them. I'm going to try to catch up over the next few days.

SKYFALL is the best Bond movie in ages. It has a smart script, great direction, and outstanding technical work from everyone involved. It is definitely the best-sounding Bond movie, period. Nice work by Per Hallberg, Karen Baker, Scott Millan and Greg Russell. The score by Thomas Newman was great too.

The best part for me was the fact that the movie went where the previous ones avoided; Bond's personal past before he was in the service. It is not explained in detail, but we get enough of a peek that we are interested in seeing where the future films will go. The script was a lot more complex than most action films for this reason.

Nice work.

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About Me

David Bondelevitch, MPSE, CAS is an Associate Professor in the Music & Entertainment Industry Studies Recording Arts Program at the University of Colorado, Denver's College of Arts & Media.

David is a music & dialogue editor and re-recording mixer. His most recent projects include mixing the documentary Southwest of Salem, which recently won a Peabody Award. He also mixed the cult comedy Jimmy Vestvood: Amerikan Hero. Previously, he mixed Driven to Ride, about women who ride motorcycles, and Above the Ashes, about a devastating fire near Boulder, which destroyed over 100 homes. The film aired on PBS. Bondelevitch won a Heartland Emmy as Associate Producer on the film. He was also nominated for Audio (as Sound Designer). The film was also nominated for an MPSE Golden Reel Award.

He also recently completed work on the the mini-series Mile High Jungle, a National Geographic series about the Wild Animal Sanctuary near Denver, and their efforts to rescue abused circus lions from Panama and Bolivia. He was also music editor for the the independent feature film The Six Wives of Henry Lefay (starring Tim Allen) and the Lifetime series State of Mind, starring Lily Taylor.

He won a Primetime Emmy in 2000 for Sound Editing on the TNT movie The Hunley. He has also won MPSE Golden Reel Awards for his work on the Showtime musical Ruby’s and the Imax documentary film Island of the Sharks. He has been nominated for Golden Reel Awards a record twenty-two times.

He is Past President of the Motion Picture Sound Editors and is currently Secretary of the Cinema Audio Society. He was also co-editor of the CAS Quarterly.

He was also an Assistant Professor at the USC School of Cinematic Arts, where he was faculty from 1993 - 2008.

He holds a B.S. in Art and Design from the Massachusetts Institute of Technology and he holds a separate B. Mus. from the Berklee College of Music in Boston. He also holds an M.F.A. in film production from USC.

David is a member the Academy of Television Arts and Sciences, the National Academy of Recording Arts & Sciences, the American Federation of Musicians (Local 47), the Audio Engineering Society, the Society of Motion Picture and Television Engineers, Film Independent, the International Documentary Association, and BMI (Broadcast Music, Incorporated) as a writer/publisher.

His complete bio, including his complete musical background, can be read here.